bedroom rock and roll - r. stevie moore & ariel pink lyrics
uhh, about ten years ago
ten years
in person, ten years ago
common law
it was an early r. stevie moore cassette club customer
early? twenty years too late
oh, no no i’m talking 1700s
i sent him music, in fact i sent him the doldrums
uh, by way of introduction
and he sent me my first email when i signed up to hotmail
it says “moore’s code”
first thing that i received
your very first email was from r. ste—
from moore’s code
moore’s code!
what did you think when you first heard about that?
great. loved it
hе wrote it, he said
he askеd to collaborate right then and there, and i near about—
i did?
yes you did, you were like “wanna collab?”
it was like the last thing you said and i just never answered it directly
i was just like “yeah, i think i’ve made it, and i can die now”
it was all about bedroom rock and roll
but i didn’t know that back then. there was no bedroom rock and roll back then
there was just rock and roll and i wasn’t part of it, so
naturally i did not wanna sleep with him. i just wanted to record
what do you think of ariel’s new record?
uhh, it’s challenging
he is such a sellout. just kidding
no i love it, it took a little while, and i thought “uh*oh”
a lot of people are gonna say that
“uh*oh, fun’s over. now gimme the old [impression of ariel’s singing]”
exactly
is that what i sounded like?
we don’t wanna know your mo— what?
that was your music that i just mimicked
oh was it?
but it was inspired by r. stevie moore who doing the same thing
and you’re the one with tinnitus, for god’s sakes!
what’d you say?
[laughing]
it grows on you, you know
track four
i’m curious what people that don’t know the earlier stuff before this album are—
it’s totally different. whole different animal
i’m curious to know if people are gonna like it
me too. we hope it’s a hit
4ad jumped on it
well, 4ad didn’t even know what they were getting themselves into
they got to hear the last of, y’know [?]
they only wanted to sign him because he kept saying “r. stevie moore, r. stevie moore”
and i keep on saying: don’t go there
don’t go there
signing off on fader tv
read it and weep
you still rolling?
yep, alright
oh my god, no!
the part where he f*ckin’ attacks me
take your clothes off
truth comes up
uhh, about ten years ago
ten years
in person, ten years ago
common law
it was an early r. stevie moore cassette club customer
early? twenty years too late
oh, no no i’m talking 1700s
i sent him music, in fact i sent him the doldrums
uh, by way of introduction
and he sent me my first email when i signed up to hotmail
it says “moore’s code”
first thing that i received
your very first email was from r. ste—
from moore’s code
moore’s code!
what did you think when you first heard about that?
great. loved it
he wrote it, he said
he asked to collaborate right then and there, and i near about—
i did?
yes you did, you were like “wanna collab?”
it was like the last thing you said and i just never answered it directly
i was just like “yeah, i think i’ve made it, and i can die now”
it was all about bedroom rock and roll
but i didn’t know that back then. there was no bedroom rock and roll back then
there was just rock and roll and i wasn’t part of it, so
naturally i did not wanna sleep with him. i just wanted to record
what do you think of ariel’s new record?
uhh, it’s challenging
he is such a sellout. just kidding
no i love it, it took a little while, and i thought “uh*oh”
a lot of people are gonna say that
“uh*oh, fun’s over. now gimme the old [impression of ariel’s singing]”
exactly
is that what i sounded like?
we don’t wanna know your mo— what?
that was your music that i just mimicked
oh was it?
but it was inspired by r. stevie moore who doing the same thing
and you’re the one with tinnitus, for god’s sakes!
what’d you say?
[laughing]
it grows on you, you know
track four
i’m curious what people that don’t know the earlier stuff before this album are—
it’s totally different. whole different animal
i’m curious to know if people are gonna like it
me too. we hope it’s a hit
4ad jumped on it
well, 4ad didn’t even know what they were getting themselves into
they got to hear the last of, y’know [?]
they only wanted to sign him because he kept saying “r. stevie moore, r. stevie moore”
and i keep on saying: don’t go there
don’t go there
signing off on fader tv
read it and weep
you still rolling?
yep, alright
oh my god, no!
the part where he f*ckin’ attacks me
take your clothes off
truth comes up
in east los angeles?
yes, in the middle of highland park
you live in watts, right?
what?
he almost famoused me
he stayed, he stayed a while
and, you know, he was like cameron crowe
hanging out at my pad
looking at my pathetic life
in east los angeles?
yes, in the middle of highland park
you live in watts, right?
what?
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