roleplay - karma sutra (uk) lyrics
(i*i mean, the word that keeps coming to my head is “lonely.” y*you sound lonely)
(yes, [?])
(y*you sound lonely)
it becomes so easy to just switch the television on, draw the curtains and forget what the weather is doing to the world outside. we seem content to mentally m*st*rbate within the safe security of our very own comfortable padded plastic life styles. we experience communication only within the sanctuaries of our inner selves:
(isolation, the seperation of being from being is the ultimate aim of those that seek to contain us.) give the boy a gun, give the girl a doll
(it’s solitary confinement, for surely we are all prisoners) basic training for their futures
(prisoners of gender) they’ll play out their roles
(of race) you’re cast in a die (of class)
(prisoners of the roleplay) inflexible to change
your ears are closed to new ideas (we are all prisoners of the roleplay)
a bigot remains
sleep teaching manifests itself and educates the rules
via school and media for multinational use
components for production lines, nothing could be easier
time stains the faces of the paralysed clock keepers
emotions dance so heretic, an absurd panic of anxiety
a void in the heart of our concept of identity
so absorbed by the trivia and the narcission pursuit
we tend to forget the master’s orders can always be refused
but we believe in and ideal world of open minds and open doors
a world of love, of uninhibited thoughts of true emotions and infinite change
where governments and their laws are just history, we’ll create a society that’s really free
but if we erect barriers amongst ourselves, then how can we communicate with anyone else
revolutionary change can only come about
by opening our minds and opening our hearts
revolutionary change can only come about (revolutionary change has been replaced)
by breaking down all barriers within and out (with the dream of happiness, and so we dream)
(revolutionary change) i sit here in my concrete cave, emotions checked, i remain brave
(revolutionary change) the facade of the stereotype still pushes through
(revolutionary change) to the surface of the mask on me and on you
we’re watching the actors in the spectacular play
because we are the audience taught to spectate
in a sit*com psychosis, an hypnotic display
the scenery changes but the script remains the same
is it any real wonder the illusion is sold
when all our life we’ve tried to b*gg*r all else
we’re watching ourselves and applauding aloud
the curtain comes down only as the theatre’s torn apart
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